Tuesday, July 22, 2014

Shivers 35: Terror on Tomahawk Island

Not to be confused with Terror on Troll Mountain, though I can see how one could confuse them seeing as how they are both bad. This book is the average Shivers book, and it contains every fault and as much of the formula as every other generic Shivers book. Ghost Writer, The Mystic's Spell, The Haunting House, and The Forgotten Farmhouse are like the Shivers books, and they have every bad quality this series is, at least on this blog, infamous for. Now don't get me wrong; there are good Shivers books, such as A Ghostly Playmate and Shriek Home Chicago, which are treasures, for Shivers books; but you also have Weirdo Waldo's Wax Museum and Creepy Clothes, which are actually great books for their genre. And then you have your Camp Fear and  The Terrible Terror Book-type books, which not only suffer from classic Shivers flaws but also are abominations.

That being said, a Shivers book can suffer from being written in the same basic way as the majority and still have enough redeeming qualities to save it. The Awful Apple Orchard is a minor step above the average Shivers book because of its ending, which is the best in the series. I think Your Momma's a Werewolf was a pretty good one, and I know it was pretty Shivers-y. To be honest, there weren't many, but it is possible. Hell, Shriek Home Chicago has all the normal faults, and it's one of my favorites. So there are some that transcend their curse, but Terror on Tomahawk Island isn't one of them. This is what inspires this special edition post:

Special Edition: Shivers Recipe Format

Hello, my name is Jonathan Golden, and I'll be instructing you as to how to make your average Shivers book, so one day you can write your own! Pay close attention to the examples, as these are all straight out of Terror on Tomahawk Island.

Step 1:
Make a protagonist, it doesn't matter which gender, as long as he/she is twelve-thirteen.
Ex. "My name is Sean. I'm thirteen."

Step 2:
Create sibling, preferably younger and of the opposite gender, though exceptions are allowed. Then have protagonist insist that sibling is OK.
Ex. "My sister's name is Wendy. She's only twelve. Wendy is OK, for a sister. By "OK" I mean that usually I can put up with her. She's not dumb or anything like that, but she's a girl. And girls can be annoying."
As you can see, the classier the better.

Step 3:
From the first chapter on to the conflict, which should be introduced at least halfway through the book, there should be at least one foreshadowing and/or misleading cliffhanger. Use blatant lies sparingly, as you may be called out.
Ex. Chapter 1: "Just thinking about it now –– how close we both came to being dead –– gives me the shivers*."
Chapter 2: "And that's what nearly got Wendy and me killed."
Chapter 3: "You can bet we wouldn't have said that if we'd known where we were going to be exactly twenty-four hours later!"
Chapter 4: "And we were doomed."
And so on.
*Side note: include the word "shivers" in each book at least five times.

Step 4:
Include uninteresting storyline that really shouldn't take up at least half the book but somehow does. Must be uninteresting.
Ex. Sean and Wendy are staying at Lake Wakanaga on vacation when their parents decide to go shopping, leaving them home alone. The siblings are really bored and discuss activities for a while. They eventually decide to explore the creepy island in the middle of the lake, which makes sense considering all the other fun activities they could be doing. They rent a rowboat from the creepy Mr. Booth and his borderline psychopathic son, who are  infamous for bad-quality rowboats, and paddle out to the island.

Because this book wouldn't be classic Shivers if the protagonists broke their stupid-streak, the siblings then fall asleep, waking up to a storm (which they knew was coming) and a nearly-sunken boat. They row to Tomahawk Island, where they walk on a gravel beach, see a path through the woods, eat some berries, it's pretty boring. Oh, and to put it in perspective, this took up 52 pages. I don't know how, it seems impossible in retrospect considering the amount of detail, but there you are.

Step 5:
Create a conflict. It must be simple. Like, a-story-written-at-a-first-grade-writing-daycamp-that-you-thought-might-be-cool-because-you-like-writing-and-the-girl-you-liked-was-going-but-it-was-actually-excrutiatingly-boring simple. Gosh, this brings back memories. Anyway, it should have so little depth that it's practically see-through, and it should happen in the span of about a day.
Ex. The siblings fall asleep under a tree, woken up shortly after by ghost Indians (Native Americans?) sailing up in canoes. Now, I know what you may be thinking, but get a load of this: "They were going to capture us and torture us and kill us. In an instant, I knew all this was true." A little presumptuous, though, right? Usually, when I see Native Americans, I don't assume that they want to torture and kill me, because I'm white so in this country that's basically a death sentence.

The Native Americans disappear, covertly capturing Wendy while Sean isn't looking. Sean decides to follow them down the forest trail before coming to their camp. He sees Wendy in a cage and comes up with a genius plan: poke her. She screams, revealing Sean's presence. Please read Step 6 before proceeding.

The Native Americans hold Sean upside down and pull him so that his arm is cut by the inside of the cage. So... I guess they did want to torture them. Look, I get it, I've read The Son, but I feel like this is just a little racist. Two books with Native Americans and the first is straight out of The Lone Ranger while the second is a barbaric group. Anyway, they eventually throw Sean into the cage, where he chews through the wood (I'm serious, this happens, read the book if you don't believe me).

It works. The siblings sneak to the beach, where they plug up a hole in their boat with bubblegum and row to safety.

Step 6:
Have at least one of the two major characters make staggeringly stupid decisions.

Step 7:
The ending must be tacky. The tackier, the better, and it's fine if it makes no sense.
Ex. the Native Americans are all watching them from the beach, saluting them as they leave.

Step 8 (Optional):
Mention that there was some myth about it all along.
Ex. They say that the Wakanaga Indians were either slaughtered there and returning for revenge, or were kind to the settlers and just want to visit. It shouldn't be that hard to verify one of them.

Hope you enjoyed our Shivers creation guide! Use caution, as being too good or bad of a writer defies the purpose of being a Shivers author; and remember, it's not about quality, it's about including the negatives.

Insight into the Complex Minds of Characters:
"I thought about Clint Eastwood. Clint, I knew, would follow the trail."

Beautiful Imagery:
"The knot was just as tight as it had been. They must have tied it in some secret Indian way or something like that."

Hip References:
Clint Eastwood, Native Americans.

Oh, I Get it, Irony:
The white people stole their land, so the Indians get their ghostly revenge by locking a couple of kids in a crappy wooden cage. Very clever, M.D. Spenser

Conclusion:
I guess this post served as a retrospective on the series more than anything else, but I was trying to prove a point: this book is bad, but it's also as bad as many other books in the series because they all share many of the same qualities, and they're generally bad qualities. This book, along with all the others like it, seemed forced, because I don't think M.D. Spenser wrote this because he wanted to, he did it because it was his job. So, in conclusion, I didn't like it.

Friday, July 18, 2014

Shivers 34: Weirdo Waldo's Wax Museum

"You called for me, Mr. Paradise Press Editor?"
"Please, call me Johnny; Mr. Paradise Press Editor was my father. Anyway, I have a suggestion for your next big book, Spenser."
"I'm all ears, sir!"
"Great. Remember that crazy masterpiece, Creepy Clothes?"
"Uh... yeah..."
"Well, it was perfect! We need even more of those!"
"I'm not sure that's such a good idea, sir. I wasn't exactly sober when I wrote that, and I did get in a bit of trouble for such adult themes..."
"Perfect, I love it! The ratings were through the roof, and-"
"What ratings?"
"Through the roof! So write a dark book on pain and torture and human nature, add some sexual themes, and voilá! The perfect book."
"It's so crazy, it just might work!"

When I read, I fold the page corners of pages that strike me as really joke-worthy. I folded thirteen pages, which is actually a new record. That being said, it's not a bad book; on the contrary, I love it. Not only is it undeniably brutal, but it has a story that I genuinely liked. It's one of those stories that starts at an intense moment near the end before starting over and working its way there. It all starts as Billy and his family are trapped in a large prison cell with hot wax dripping from the ceiling. This may seem crazy, but I actually wanted to find out how they got there. Maybe that would have changed had I known the main characters at the time, but I really was a little curious.

Anyway, the mom character, whom we'll just call "Mom" for simplicity's sake, is cradling Crissy, Billy's six-year-old sister, and Dad is going insane in the corner, attempting to make a key out of wax. Then it goes back to the beginning, where Billy describes his family. This is gold, by the way, because Billy is the single most holier-than-thou human being who has ever narrated a story. Normally it would be excruciating, but much like Paul Alberti from Shriek Home Chicago, it's just too amusing to be obnoxious. This is one of those Shivers reviews that writes itself.

Billy's dad is cheap. We know this because he says it over and over again in many different ways. Sometimes it's just "We wouldn't be in this mess if he weren't so cheap." Sometimes he uses little anecdotes, "He's always going around the house turning off lights," or he'll give an example, "I say, trying to study in the dim light of one of the 60-watt light bulbs he buys in bulk because they're way cheaper that way." And to finish it all off he says, "that's how cheap my old man is." Subtlety is not M.D. Spenser's strong point.

Because of Dad's cheapness, Billy has to wear cheap clothing. As he says, "I'm the No Name-Brand kid." I can actually relate to this, so that's fun. I mean, I didn't not wear name-brands because my parents wouldn't buy them for me, I didn't wear name-brands because I didn't want to. I hate spending extra money on clothes; why not spend it on something important, like video games or inflatable women? Here's a little Jonathan trivia for you: As a kid, 50% of my shirts had classic rock bands on them, and the other 50% were either bought with coupons, were presents, or were "cute" shirts my mom thought I would like. Not that I cared; I loved my classic rock shirts. Now that I think about it, I guess my indifference was a blessing for my parents, because my sister easily bought enough for the both of us.

Now I see why people come to this site: to see me talk about my personal life. You're welcome, audience. Getting back to the book, here's one of my marked phrases: when people make fun of Billy for his clothes, he says "'What are you looking at, morons?' I snarled. 'You guys are so stupid you think two plus two equals your IQ.'
If there's one thing I can't stand, it's stupid people. My dad's a tightwad, but he ain't raising no fools."

He's gonna get shanked. I hope he gets shanked. But it gets even better, "Ugly people turn me off, too. That's because I'm pretty good looking, myself. Before bed, I stare at myself in the bathroom mirror, turning my head from side to side trying to figure out which is my best profile. Left. Right. Front. Even from behind, I'm pretty darn handsome." Does this character ever stop getting relatable? Seriously, though, how can reading about someone this vain not be fun?

Another example: "So we're always riding around in some second-hand heap Dad picked up at Charlie Ryan's World of Pre-Owned Autos. Crissy and me, we call it Cheapo Charlie's World of Rust Buckets." Ha ha, ha ha ha, ha. Ha ha ha. So not only is our protagonist intelligent and attractive, he also has an amazing sense of humor. Stellar.

I just realized that I spent six paragraphs on the characters, which is more than M.D. Spenser does in most of his books.


The plot progresses when Dad announces that the family has been invited to go to Mad Mac's History in Wax Museum, which isn't even the name from the title so I'm still baffled that such a large continuity error could occur. One other thing I like to laugh at is that M.D. Spenser uses fake brands to illustrate how cheap Dad is. Crissy plays with Darbies, Billy plays on a Game Guy, etc. And how about this little dialogue treat here: "'Hey, Prissy, your Doll's shedding,' I say, holding up a long strand of white plastic hair, 'What's she got –– bald dolly disease?'
'No, she's pretty,' Crissy replies.
'Pretty dumb or pretty stupid?'"


Oh, and here's M.D. Spenser's attempt at song lyrics: "I gotta can of tuna. It's shaped just like a balloona. I took it to Palona. To eat with my balogna." Balloona? And just to top it off, Billy listens to this on his "WalkKid." Eventually, they get to Mad Mac's, where the other goers are introduced, "There's Father and Son Jockheads. They wear numbered jerseys so they can remember their IQs."



"And The Nerdroids. Are horn-rimmed glasses hereditary? And The Cretins. Lots of in-breeding going on in that family." Wow. "And The Church Mice. They look meek as heck. The mother carries a thick leather book under her arm, and the father uses a crutch. Oh, and best of all, The Prepmeister Clan. Proof that money can't buy brains." Here's the thing: each character completely conforms to his/her role as part of whatever group he/she is in and, for the most part, shows no other personality, but that's marginally better than the usual plot-device character so I love it, and it also makes the dialogue very amusing. 

Anyway, the group is greeted by a man in a black hood whose face is covered up. The death-like guide asks them to follow him when the preppy kid makes a snappy comment. The guide reacts by revealing information about him, like that his name is Huntington Snider the Second and that he gets poor grades, but it doesn't matter because his father will just buy his way into a good college. Wait... Huntington Snider the Second? Congrats, M.D. Spenser, you succeeded in making the name most fitting for "a Prepmeister."

The guide calls the Jockhead son a big baby before continuing with the tour. As they walk, one member of each group says something stereotypical, which includes my favorite line from any book ever, "I hear his little sister whisper, 'Mommy, are these heathens?'
The look of disgust on the mother's face answers the question before the words leave her lips, 'Yes, dear.'"
Mommy, are these heathens? I'm not joking, this is the most serious I've ever been in my life; This one phrase excuses the entire existence of The Terrible Terror Book. Not Camp Fear; which just may be impossible, but The Terrible Terror Book is up there for worst Shivers books and you just completely made up for it and then some. This whole book is a work of art.

In the first room, which has nothing in it but the smell of something dead, one of the church mouse kids makes a fart joke, which was actually pretty good considering that it followed the statement where the guide describes the awful smell as "the purest essence of mankind." In one of the best moments of Shivers history, the guide says, "I imagine you picked that from the many hours you spend in those Internet chat rooms you're so fond of, Jeremiah. Not the one called X-dreams, of course, where you pass yourself off as someone much older and more experienced than you are. Or many of the others where you assume adult identities long after you parents have fallen asleep." This is literally the happiest I've ever been in my entire life. Did... did M.D. Spenser just suggest that this super religious kid watches porn while his parents are asleep? I can't believe... I'm so happy. The mom responds by hitting him with The Bible while calling him a "filthy boy," which is probably another uncomfortable reminder of the pornography.

Speaking of X-dreams.com, the website doesn't exist, but Xdreams.com does, and it's actually about decoding dreams. Strange, that domain name has so much potential. After that drama, the tour guide begins talking about how mankind loves public punishment and torture, and then he gives examples of torture. He says that what separates mankind from animals isn't our superior brains, thumbs, tools, ability to raise crops, etc., but our cruelty toward each other. Not that I haven't heard all this before, but it's still a pretty interesting theme for M.D. Spenser to be playing with. Especially, you know, because he's a children's author. 

After this speech, the guide starts a conflict between the fathers who went to college and the "cretin" redneck guy. He then leads the group into a dark room where images of men being beaten, bombed buildings, riots, dead bodies, etc. begin flashing on the walls. I thought that was bad enough, until this description showed up: "Blacks killing whites. Browns killing blacks. Red killing brown. Brown killing yellow. Yellow killing black. White killing black, brown, red, yellow. On and on. Over and over." Public torture, heathens, pornography, and racial violence, what doesn't this book have?

Eventually, the video ends, and someone cracks another joke, because "nothing is so bad you can't cure it with a joke." The guide then shows a sculpture of wax people huddled against a wall while wax men shot them. Oh, so he's one of those "tortured artist" types. Then the guide screws with people some more before bringing them to an exhibit with one caveman murdering another. Everybody's having a good laugh looking at the invention of murder when a bright light flashes and the Merlins, a.k.a cretins, disappear.

Next, they go to an exhibit where a wax man is being pulled apart on one of those limb-stretching torture racks. Is this OK for a children's book? It must at least be a stretch


There's also a man being whipped and a man sleeping under a bed of spikes, and we find out that it's the Spanish Inquisition. After a brief history lesson and a couple jokes, the hooded man reveals someone getting burned at the stake for heresy, and the church mouse father responds with "the wicked get what they deserve... burn now, or burn later." I'm going to be mad if he doesn't burn, now, because that genuinely made me angry, as I'm sure it's intended to. Then the guide exposes Crissy's love of playing with fire for no reason and the Nedleys, the nerdy family, disappear in a flash.

They then walk into the French Revolution, where the Sniders, the rich family, go missing. Then a slave trade castle, where Bobby notices that one of the slave's eyes are moving, which the guide dismisses as robotic eyes. Robotic eyes. There is then a debate about religion, and I think M.D. Spenser's either a closet Atheist or just really into his characters, because he not only raises some good points about religion but has the religious father respond the way someone like him would; it's amazing, colorful, fantastic, god I love this book. At this point, the athletes are gone, they disappeared in the middle of the slave trade castle.

The group is then brought to an exhibit with religious murders throughout time. Honestly, M.D. Spenser, I agree with you about all the pain and suffering religion has caused, but this is some seriously risky stuff you're dealing with here. Bobby eventually makes contact with a wax Palestinian girl who is throwing a rock at a Jewish soldier (way to include current events, Spenser). The Farrises, the religious family, then disappear, so the final family makes their way to a wax concentration camp, where there's this really cool scene where the guide tells the story of how Dad's father was a soldier who found a concentration camp and how it influenced him and it was completely unnecessary, but it added to the depth of the story. It's something like that that I feel has been missing from other Shivers books.

Oh, and then Bobby recognizes one of the tour-takers in one of the wax prisoners, so he tries to alert his family but there's a flash and they're in the dungeon, being rained on by hot wax. Bobby soon figures out that the dungeon itself is wax, which is kind of lazy but whatever, and breaks through the bars before breaking the wax on his body and saving his family. He then goes off alone to save the others, and the whole party meets in the lobby. The fathers and mothers are easily defeated by the guide's wax powers, which really shouldn't happen because as superpowers go, the ability to shoot wax is pretty weak.

Crissy ends up defeating the guide by lighting him on fire. Apparently, he melts, because he's wax, and so does the entire building. Two years later, all the families are on vacation together, and have been doing it every year since they escaped. Bobby says that humans aren't unique in their cruelty, but their compassion and kindness, and they all live happily ever after, sitting around a candle shaped like a hooded figure.

Insight into the Complex Minds of Characters:
"Any better than this? I think. Eating spinach for breakfast is better than this."

Beautiful Imagery:
"She's a short little butterball. Six years old and already growing her third chin. She thinks sugar is one of the major food groups."

Hip References:
Of course, who doesn't remember playing Smokemon on their Game Guy or listening to some tunes on their WalkKid.

If Every Other Family Had a Role...:
What would our protagonists be? The dad's a rocket scientist and the mom used to be a model, by the way. Maybe they would be the tools?

Conclusion:
This is the only Shivers book that I would want to read a full-length novel of. The characters defied expectations (which doesn't say a lot, but still), I enjoyed the jokes and even laughed at a couple, the narrator was enjoyable, and it's one of the most well-written of the series, maybe even the most well-written, partly because it doesn't have annoying and excessive chapter-ending cliffhangers or ridiculous synonyms. I'm not sure it works well as a children's book, it might have been better as a tween or teen book because it has some pretty dark themes, though M.D. Spenser handled them very well. This might be my favorite so far because I think this is the kind of book that M.D. Spenser enjoys writing most of all, it felt like he was in his element, and I think he put much more effort into this book than any of the others because of it. Great job, M.D. Spenser, please write more stuff like this.

Tuesday, July 15, 2014

Shivers 33: The Forgotten Farmhouse

I'm back in California and have never been happier. Unfortunately, I'm going to have to skip Shivers #32 until my new copy arrives. It's a shame, really, because I didn't dislike that one. This book, however, is a different story.

One of the many things that really bugs me about this book is that the vast majority of sentences are written in an extremely simple way. It's as if M.D. Spenser was trying to have the text flow as un-smoothly as possible, and the dialogue is exactly the same, it's awful. Straight from the book: "'This is great, isn't it?' I said.
'Yes,' Ana said, 'I'm looking forward to getting to that rough ground ahead.'
'I am, too,' I said.
Maybe I wouldn't have said that if I'd known just how rough the ground was going to be.
We came out of the woods and crossed over the ridge. Now we started heading down the slope."

I thought this was annoying. I was reading this book and got annoyed. I don't like it when books do this. Nobody likes it when books do this. "This is annoying me," I said aloud.

To be fair, it gets better after the first quarter of the book, but there are still plenty of overly-basic sentences throughout. Despite being obnoxious, it really does take away from the plot, because it means there is very little detail and the characters don't have much of a personality.

It all starts when thirteen-year-old Nico and his twelve-year-old sister Ana are getting ready for a horse-trek adventure in the mountains, which is where you ride horses for a few days. Ana has black hair and is described as "so cute." Nico also has black hair... I think. The protagonist doesn't really describe himself. Oh, and another thing that bothers me: Each chapter is literally- and I made sure this was accurate- an average of two-four pages long. There is an overwhelming amount of two-page chapters whose sole purpose is to let the reader know that this book has a conflict. Anyway, the group eventually gets to a very rough, rocky part of the mountains, at which point their guide totally ditches them and they fall behind the rest of the group to help a girl with her horse. Eventually, they lose the girl too, so it's just the two of them.

At this point, you may have realized that even though the main character has little-to-no personality, he is unique in his lack of common sense. Here's another example: the siblings stumble upon a line of trees. Despite extremely heavy fog, they eventually find a creepy path into the woods. They follow it.

Here are a number of reasons going into the forest is a bad idea:
1. Extremely heavy fog
2. They're alone
3. It's a path into the woods
4. The horses are reluctant
5. It's a path into the woods

Oh, and it's almost night-time, too. They gallop through the forest while the fog gets steadily thicker until they can't see a thing. Eventually, the characters realize that they're on different horses than before. You can read that again if you have to. You know what, I'll be nice and simplify it for you: They are riding small, black horses, and then they are riding large, white horses. OK, I can dig that, just as long as something credible comes next.

I'd like to take a second to express something else that bothers me- I'm sorry, I know I'm complaining a lot, but this book really does have a lot of issues- the two main characters are just blank slates. It's bizarre... Nico the Narrator insists that his sister has a logical, organized, strong personality for so long that you actually end up almost believing it, and maybe she does and I just don't see it, but I just don't see it. Ana will perform simple actions and Nico will think things like "classic Ana," or "just like Ana, being so strong, organized, and logical." When Ana remounts the weird other-horses by climbing on a boulder, Nico says "leave it to her!" as if that required more than a functional brain to come up with. I'm pretty sure he worships her. And even on the off-chance that I'm being too hard on poor M.D. Spenser and this girl really does show a consistent and unique personality throughout the beginning of book, she completely loses it as soon as their horses change when she starts whining about how scared she is and rarely picks up her strength, logic, and organization again.

OK, I'm sorry, I'll try to stop venting about this book now. To be fair, this is a book review site, hence the title "Gnarly Book Reviews," but I guess I shouldn't be so hard on the children's horror books because I'm pretty sure that makes me a bad person. Honestly, I really do like Shivers as a whole, I think it's reasonably well-written and M.D. Spenser certainly has potential, and many of the criticisms are just for joke purposes, but sometimes I find it hard not to complain, because the flaws are often endlessly recurring. But I promise, from now on, only plot.

Nico and Ana hitch a ride on their mysterious new steeds to a farmhouse and barn, where they get off the horses, knock on the door, and are nearly shot with a shotgun. The siblings, being strong, organized, and logical, promptly fall down the stairs on top of each other while the shooter misses yet again. He's, like, two feet away, so with aim like that I'm not surprised he's dead.  Oh, spoiler, he's dead.

The two kids are saved by the shooter's wife, Mary, who says that they should at least get to know them before ruthlessly murdering them out of sheer hatred for those who killed Mary's family. The shooter, a middle-aged man named Bob whose face is half blown off, agrees before his dead cat attacks Nico. Nico and Ana walk into the house and notice that the back of Mary's head is blown off. Despite Mary's arguments, Bob decides that even though these children have nothing to do with their murder, they're going to have to die, and then he invites his kids, Daniel and Sara, to do it. Damn, this book is legitimately disturbing.

But wait, there's even more to make this book traumatizing. Both kids are around twenty, half of Daniel's neck is missing so as a result he has no throat and can only make grunting noises, and Sara can do nothing but slowly walk because the top of her head was blasted off so she has no brain. Oh, but check this out: Bob hands the gun to Daniel, who can't take it because his head flops forward onto his chest, so his mom starts crying. It's actually pretty shocking.

Nico and Ana take this as an excuse to attempt an escape. At this point the siblings deserve to die, there's no excuse for bad manners. Nico runs into the forest for a while before he notices that his sister didn't make it out. He... I mean, it wouldn't... it's his sister, I just feel like maybe he should've realized this as they left the house. When Nico gets back to the farmhouse, he looks through a window and sees Bob pointing his shotgun directly at Ana's face. He seems ready to kill her, but first he has to make sure to yell the right amount of threats so she knows well ahead of time how ready he is.

Eventually, Nico gets bored and decides to go check out the ghost horses. He leads them to the front yard and gets knocked down and sat on by Daniel. Just imagine how gross it would be to be held down by a psychotic young adult with half a neck. Ew. Anyway, Nico gets dragged inside the house, where he learns that Ana decided to escape while Nico was attacked. You know what bothers me about these people above all? They're uncoordinated.  Fortunately, Nico comes up with a plan to intimidate the dad. It works, and he keeps pushing Bob back so that he can grab the shotgun, and ends up going all the way around the room so that the dad grabs the gun again. Even when victory is literally within his grasp, he fails, and I honestly don't understand how he fails so effectively but there you go.

All of a sudden, Ana has the ingenious plan to ride her horse through the door. Nico hops on back, and the two of them ride out of the forest and into a friendly family, where they happily contact their mom while the dead family is forever stuck in a hell-like purgatory.

Insight into the Complex Minds of Characters:
"'And I think we should follow this riverbed downstream,' she said. Ana would have been great in the old pioneer days."

Beautiful Imagery:
"My heart stopped, and so did my brain. I couldn't think of anything I could do to save Ana."

Hip References:
Riding horses.

This Is Biologically Impossible, but That's OK Because This Book Is About Ghost Farmers:
The daughter has no brain, but she can walk. Crazy.

Conclusion: I have to give M.D. Spenser props on one thing: he really did attempt to stick to the genre. Many of his books veer off from being horror and instead become adventure-ish, but this one was full-on horror. That being said, problems such as the annoyingly short chapters, simple sentences, and weak characters took away from the experience. The experience itself was a bit too gruesome for the intended audience, in my opinion, so I didn't love the wanna-be slasher vibe. The plot is like some kind of childish combination of House of 1000 Corpses and Silent Hill (the movie, not video game) that was actually a little scary, so I'll give M.D. Spenser props on that, but ended up giving me a feeling that it could have been done better. I could very well be being too hard on it, but I just didn't like it as a book. That being said, I suppose it's not bad for its genre.